Multitude and CopiesIn the summer of 2025, Hsu Che-yu and Chen Wan-yin published the artist book Aberrant Archive, reflecting on their collaborative practice since 2015. By disrupting the chronological order …
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ScreenshotNotes on Hsu Che-yu and Chen Wan-yin’s Practice
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Conversation
Capturing the “Fractured Poetics” of the World
Artist Ching-Chuan Hu on Digital Technology, Reality, and Perceptionby SCREEN EditorialArtist Ching-Chuan Hu’s practice probes the boundary between the digital and the real, seeking to translate ineffable personal sensations into a visual language that is fragmented yet lyrical. By working …
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If Memory Closed Its Eyes, Would We Disappear Too?
Reflects on a meta-critical aesthetic strategy in the ICA–Sofia Exhibitionby Sean Wangby Sean WangUpon arriving in Bulgaria, the first thing I did was search for a contemporary art space. After some effort, I eventually found one with a name that sounded unmistakably contemporary: …
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Inviting Borders
Transfer Station – The Missing Shadow at Gemeinde Kölnby Jyotika SehgalBorders are real but not always tangible. They arise from the idea of the other and blur when these divisions overlap. Within our political geography, a border becomes apparent only …
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Conversation
Silent Resistance Through Unease
Insoon Ha and Her Art Practiceby Feng-yi Chuby Feng-yi ChuA massive, expressionless head; a headless figure drenched in blood with an umbilical cord; and innumerable bloody tongues protruding from the wall … Insoon Ha’s [1] creations evoke deep unease …
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The Ambiguous Sound: Four Fables about Future-Crossing Sounds
Sonic Screen Editorial Issue Iby Au Sow Yeeby Au Sow YeeIn his book Die Geschichte der Unschärfe (The History of Vagueness), German art historian and cultural scientist Wolfgang Ullrich discusses various arguments and quality changes in terms of clear versus …