Conversation
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David Horvitz’s date of birth is always recorded differently in the wall texts of his shows. Whether through books, mail, email, the internet, clock, telegram, Twitter, or Wikipedia, his work …
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Many labels are associated with Paul Chan: multi-media artist, political activist, and publisher, to say the least. Categories seems rather futile for understanding his practice. Selected as the winning artist …
Screenshot
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Non-dream, Catastrophism, and Aberrant Archive
Notes on Hsu Che-yu and Chen Wan-yin’s PracticeMultitude and Copies In the summer of 2025, Hsu Che-yu and Chen Wan-yin published the artist book Aberrant Archive, reflecting on their collaborative practice since …
by Hsing-Jou Yeh -
There is a persistent concern that young artists struggle to meaningfully situate their work within universal themes. An over-reliance on specific personal experience risks trapping …
by Brynn Gordon -
The Luminous Gaze of War and Photography
Exposure and Reflection in the Exhibition Piercing Through a Porous ArchiveThe Studio Window on the Street: Peng Ruei-lin as a Photographer in the Public Eye In 1931, Peng Ruei-lin (1904–1984), the first Taiwanese to obtain …
by Hsing-Jou Yeh -
The Horizon of Events
A Review of Hong Jin-hwon's "2025 Title Match" ExhibitionThis year marks the twelfth edition of Title Match, an annual exhibition organized by the Buk-Seoul Museum of Art since its opening in 2013. Curated …
by Tseng Che-Wei and Huang Yi-Hsuan -
If Memory Closed Its Eyes, Would We Disappear Too?
Reflects on a meta-critical aesthetic strategy in the ICA–Sofia Exhibitionby Sean WangUpon arriving in Bulgaria, the first thing I did was search for a contemporary art space. After some effort, I eventually found one with a …
by Sean Wang -
Borders are real but not always tangible. They arise from the idea of the other and blur when these divisions overlap. Within our political geography, …
by Jyotika Sehgal