Multitude and CopiesIn the summer of 2025, Hsu Che-yu and Chen Wan-yin published the artist book Aberrant Archive, reflecting on their collaborative practice since 2015. By disrupting the chronological order …
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Notes on Hsu Che-yu and Chen Wan-yin’s Practice
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There is a persistent concern that young artists struggle to meaningfully situate their work within universal themes. An over-reliance on specific personal experience risks trapping work within an artificial sense …
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The Luminous Gaze of War and Photography
Exposure and Reflection in the Exhibition Piercing Through a Porous Archiveby Hsing-Jou YehThe Studio Window on the Street: Peng Ruei-lin as a Photographer in the Public EyeIn 1931, Peng Ruei-lin (1904–1984), the first Taiwanese to obtain a degree in photography, returned to …
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The Horizon of Events
A Review of Hong Jin-hwon's "2025 Title Match" Exhibitionby Tseng Che-Wei and Huang Yi-HsuanThis year marks the twelfth edition of Title Match, an annual exhibition organized by the Buk-Seoul Museum of Art since its opening in 2013. Curated by in-house curator Yoo Eun-soon, …
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If Memory Closed Its Eyes, Would We Disappear Too?
Reflects on a meta-critical aesthetic strategy in the ICA–Sofia Exhibitionby Sean Wangby Sean WangUpon arriving in Bulgaria, the first thing I did was search for a contemporary art space. After some effort, I eventually found one with a name that sounded unmistakably contemporary: …
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Borders are real but not always tangible. They arise from the idea of the other and blur when these divisions overlap. Within our political geography, a border becomes apparent only …